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Artist Luis Manuel Otero Alcántara on a park bench in Havana. (14ymedio)

14ymedio bigger14ymedio, Generation Y, Yoani Sanchez, 10 November 2017 — He scribbled on a wall and they detained him for several months; he founded an opposition party and they accused him of buying some sacks of cement; he opened an independent media outlet and they denounced him for treason. Every step taken to be free ended with a disproportionate repression that can only be explained through the fear that the ruling party feels towards its own citizens.

The case against the artist Luis Manuel Otero Alcántara has once again exposed the fear that beats in the highest spheres and spills over onto everyone who leaves the assigned fold. The police officers who entered his house last Monday went in search of any evidence to incriminate him, because they are the executors of a punishment policy that is systematically applied against the system’s critics.

The sacks of construction materials are just a pretext to “show him the instruments” and to embroil Otero Alcántara in an infinite legal process. What is coming now is a movie we already know well: the trial at full speed, the sentence that allows him to be removed from circulation until after the date scheduled for the independent event and, meanwhile, a “good cop” who will whisper in his ear the advantages of emigrating and avoiding such imbroglios.

The artist will feel every kind of pressure. On the one hand, State Security will say that his call to participate in an independent event is a provocation that will not be allowed, and on the other hand the official artists’ guild will distance itself and its members from his proposals. Some of those who said “yes” to participating in the #Bienal00 will no long respond to the emails or will communicate that they will be unavailable due to an unforeseen trip.

Some will accuse him of wanting to attract attention, others will tell him he could have gone through official channels before throwing himself into organizing a parallel event. There will be those who will reproach him for having crossed the red line between art and activism, or for having dabbled in politics. The most caustic will whisper that now he can include his own face in the next Game of Thrones video he creates about the candidates for the Cuban presidency.

However, solidarity will also rain down upon him from those who, in recent days, have been expecting the imprisonment of the author of ¿Dónde está Mella?, a performance held in the former Manzana de Gómez, in Havana. His case will help show the world that Raúl Castro’s government has a similar modus operandi to attack opponents, artists and journalists.

The ruling party does not care if the “daring” report human rights violations, work with metaphors or investigate information. From up there, anyone who does not follow orders deserves only one word: enemy. Now, for them, Luis Manuel Otero Alcántara has fallen into that category.


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